Your whole team, on the whole film, at the same time.

Keyframes keeps the entire production in one place, from the first draft to the call sheet, at a price that leaves money for the film.

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A proper screenplay editor, with everyone on the film in it at the same time.

The Keyframes app, dark theme, on the demo production Pyramid Song: the script in Write mode; Tag mode creating the element Keycard; the schedule board with scene 2 dragged from Day 1 to Day 2; a Day 1 call sheet published and its Delivery tab; the Shoot day list with two shots ticked off while offline.

Lock the script, and changes become revisions

Scene numbers freeze, so a scene added between 10 and 11 becomes 10A. Writing carries on, and what you write queues as a revision for a producer to review and apply.

Script · Revisions

The budget counts what the production already knows

Shoot days, crew days, location days and tagged props come from the rest of the production. Every rate is yours to enter, and the budget won’t print a number nobody has typed.

Budget

Cast is read out of the script

Who speaks in which scene, their eighths and their shoot days are counted for you. Cast a part and the call sheet knows who to send to.

People · Cast

Beats that turn into scenes

Outline on the card wall. A beat that isn’t written yet sits in the script as a prompt, and becomes a scene the moment you write it.

Beats

Four more real captures of the Keyframes app, dark theme, on the demo production Pyramid Song: The revision review panel, showing a scene marked Pink with one revised line. The budget top sheet, every account with its quantity, rated lines and total. The People Cast tab, characters read from the script with their shoot days. The Beats board, with a new card being added to a lane.

Lock the script, and changes become revisions

Scene numbers freeze, so a scene added between 10 and 11 becomes 10A. Writing carries on, and what you write queues as a revision for a producer to review and apply.

Script · Revisions

The budget counts what the production already knows

Shoot days, crew days, location days and tagged props come from the rest of the production. Every rate is yours to enter, and the budget won’t print a number nobody has typed.

Budget

The budget top sheet, every account with its quantity, rated lines and total.

Cast is read out of the script

Who speaks in which scene, their eighths and their shoot days are counted for you. Cast a part and the call sheet knows who to send to.

People · Cast

Beats that turn into scenes

Outline on the card wall. A beat that isn’t written yet sits in the script as a prompt, and becomes a scene the moment you write it.

Beats

The whole production, in twelve modules

Every plan includes every one of them, and they all work off the same production.

Develop

A live document with everyone in it, and pink pages once you lock it.

The card wall, with beats that turn into written scenes.

Design

Tag it as you read, so there’s never a second pass.

Every prop and costume, and the scenes it’s needed in.

The places you’ll actually shoot, with the paperwork attached.

Reference boards for the look of the film.

Files that sit on whatever record they belong to.

Plan

A stripboard you drag, and totals that recount in eighths.

Your cast and crew, with their rates and their call times.

Accounts and lines, fed by the breakdown and the schedule.

Shoot

Built out of the day, and confirmed on a phone.

Setups and coverage, ticked off on set even when there’s no signal.

Bring your next film in early

We’re taking productions on in small batches while we’re in beta, so we can answer you properly and know your film by the time you’re shooting it.

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